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ISRC

HKI190912110

Péchés de vieillesse, Volume V. Album pour les enfants adolescents: No. 10. Ouf! Les petits pois

Song: Péchés de vieillesse, Volume 5 "Album pour les enfants adolescents": No. 10. Ouf! Les petits pois

Alessandro Marangoni
Released 2009-12-01

Last verified:

HKI190912110 is the International Standard Recording Code (ISRC) for the recording "Péchés de vieillesse, Volume V. Album pour les enfants adolescents: No. 10. Ouf! Les petits pois" by Alessandro Marangoni, released 2009-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
09Year (2009)
12110Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Péchés de vieillesse, Volume V. Album pour les enfants adolescents: No. 10. Ouf! Les petits pois" by Alessandro Marangoni?
The ISRC for "Péchés de vieillesse, Volume V. Album pour les enfants adolescents: No. 10. Ouf! Les petits pois" by Alessandro Marangoni is HKI190912110.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190912110?

HKI190912110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Péchés de vieillesse, Volume V. Album pour les enfants adolescents: No. 10. Ouf! Les petits pois" by Alessandro Marangoni. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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