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By Footpath and Stile, op. 2: Voices from things growing in a churchyard album cover

ISRC

HKI190554321

By Footpath and Stile, op. 2: Voices from things growing in a churchyard

Song: By Footpath and Stile, op. 2: V. Voices From Things Growing in a Churchyard

Roderick WilliamsSacconi Quartet
Released 2006-01-01

Last verified:

HKI190554321 is the International Standard Recording Code (ISRC) for the recording “By Footpath and Stile, op. 2: Voices from things growing in a churchyard” by Roderick Williams, Sacconi Quartet, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
05Year (2005)
54321Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "By Footpath and Stile, op. 2: Voices from things growing in a churchyard" by Roderick Williams?
The ISRC for "By Footpath and Stile, op. 2: Voices from things growing in a churchyard" by Roderick Williams, Sacconi Quartet is HKI190554321.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190554321?

HKI190554321 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “By Footpath and Stile, op. 2: Voices from things growing in a churchyard” by Roderick Williams, Sacconi Quartet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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