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ISRC

HKI190316407

Maria Stuarda, Act II: O nube! che lieve per l’aria t’aggiri

Song: Maria Stuarda: Atto II, no. 6b. “O nube che lieve per l’aria” (Maria, Anna, Coro)

Marina MescheriakovaSlovak Radio Symphony OrchestraMichael Halász
Released 2004-06-07

Last verified:

HKI190316407 is the International Standard Recording Code (ISRC) for the recording "Maria Stuarda, Act II: O nube! che lieve per l’aria t’aggiri" by Marina Mescheriakova, Slovak Radio Symphony Orchestra, Michael Halász, released 2004-06-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
03Year (2003)
16407Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Maria Stuarda, Act II: O nube! che lieve per l’aria t’aggiri" by Marina Mescheriakova?
The ISRC for "Maria Stuarda, Act II: O nube! che lieve per l’aria t’aggiri" by Marina Mescheriakova, Slovak Radio Symphony Orchestra, Michael Halász is HKI190316407.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190316407?

HKI190316407 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Maria Stuarda, Act II: O nube! che lieve per l’aria t’aggiri" by Marina Mescheriakova, Slovak Radio Symphony Orchestra, Michael Halász. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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