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ISRC

HKI190226306

Porgy and Bess: Act II, Scene 1. It Take a Long Pull to Get There

Song: Porgy and Bess: Act II, Scene I. “It take a long pull to get there”

Edward MatthewsDecca Symphony OrchestraAlexander Smallens
Released 1959-01-01

Last verified:

HKI190226306 is the International Standard Recording Code (ISRC) for the recording “Porgy and Bess: Act II, Scene 1. It Take a Long Pull to Get There” by Edward Matthews, Decca Symphony Orchestra, Alexander Smallens, released 1959-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
02Year (2002)
26306Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Porgy and Bess: Act II, Scene 1. It Take a Long Pull to Get There" by Edward Matthews?
The ISRC for "Porgy and Bess: Act II, Scene 1. It Take a Long Pull to Get There" by Edward Matthews, Decca Symphony Orchestra, Alexander Smallens is HKI190226306.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190226306?

HKI190226306 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Porgy and Bess: Act II, Scene 1. It Take a Long Pull to Get There” by Edward Matthews, Decca Symphony Orchestra, Alexander Smallens. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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