ISRC

HKI190142202

Creole Song2

Song: CREOLE SONG (C'EST L'AUTRE CAN CAN)

Kid Ory’s Creole Jazz Band
matched
Released 1945-01-01

Last verified:

HKI190142202 is the International Standard Recording Code (ISRC) for the recording “Creole Song by Kid Ory’s Creole Jazz Band, released 1945-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KID ORY.

Format

HKCountry
I19Registrant
01Year (2001)
42202Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KID ORYComposer
GEORGE SIMON MUSIC CO. OriginalPublisher
WIXEN MUSIC PUBLISHING, INC. RightsAdministratorIPI: 00229993322

Who publishes this song?

GEORGE SIMON MUSIC CO.OriginalPublisher
WIXEN MUSIC PUBLISHING, INC.RightsAdministrator
IPI: 00229993322

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Creole Song" by Kid Ory’s Creole Jazz Band?
The ISRC for "Creole Song" by Kid Ory’s Creole Jazz Band is HKI190142202.
Who wrote "Creole Song"?
"Creole Song" was written by KID ORY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190142202?

HKI190142202 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Creole Song by Kid Ory’s Creole Jazz Band. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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