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KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND album cover

ISRC

GX8KD2353622

KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND

Song: KINDERSZENEN OP. 15: NO. 4 IN B MAJOR, BITTENDES KIND

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GX8KD2353622 is the International Standard Recording Code (ISRC) for the recording "KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT ALEXANDER SCHUMANN.

Format

GXCountry
8KDRegistrant
23Year (2023)
53622Designation
Country:
ISO 3166-1 alpha-2 country code (GX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCKINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND
IPIROBERT ALEXANDER SCHUMANN

Related

Songwriter profiles

ROBERT ALEXANDER SCHUMANNIPI

People also ask

What is the ISRC for "KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND"?
The ISRC for "KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND" is GX8KD2353622.
Who wrote "KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND"?
"KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND" was written by ROBERT ALEXANDER SCHUMANN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GX8KD2353622?

GX8KD2353622 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "KINDERSZENEN, NO. 4 IN D MAJOR, OP.15: BITTENDES KIND". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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