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ISRC

GBYLF0800020

NEVER MAKE IT OUT ALIVE (BONUS TRACK)

Song: YOU'LL NEVER MAKE IT OUT ALIVE

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GBYLF0800020 is the International Standard Recording Code (ISRC) for the recording “NEVER MAKE IT OUT ALIVE (BONUS TRACK)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL EDWARD GETHIN, CARL GETHIN, DAVID JAMES BARKER, and others.

Format

GBCountry
YLFRegistrant
08Year (2008)
00020Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNEVER MAKE IT OUT ALIVE (BONUS TRACK)
IPIPAUL EDWARD GETHIN

Related

Songwriter profiles

PAUL EDWARD GETHINIPICARL GETHINIPIDAVID JAMES BARKERIPIRICHARD GARETH BELLAMYIPIKEVIN BAYLISSIPI

People also ask

What is the ISRC for "NEVER MAKE IT OUT ALIVE (BONUS TRACK)"?
The ISRC for "NEVER MAKE IT OUT ALIVE (BONUS TRACK)" is GBYLF0800020.
Who wrote "NEVER MAKE IT OUT ALIVE (BONUS TRACK)"?
"NEVER MAKE IT OUT ALIVE (BONUS TRACK)" was written by PAUL EDWARD GETHIN, CARL GETHIN, DAVID JAMES BARKER, RICHARD GARETH BELLAMY, KEVIN BAYLISS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBYLF0800020?

GBYLF0800020 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NEVER MAKE IT OUT ALIVE (BONUS TRACK)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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