Rejoice in the Lamb, op. 30: No. 1b, Let Nimrod the Mighty Hunter album cover

ISRC

GBXUX2023302

Rejoice in the Lamb, op. 30: No. 1b, Let Nimrod the Mighty Hunter

Song: Rejoice in the Lamb, op. 30: I. “Rejoice in God, O ye Tongues”

David DunnettNorwich Cathedral ChoirAshley Grote
Released 2020-10-16

Last verified:

GBXUX2023302 is the International Standard Recording Code (ISRC) for the recording "Rejoice in the Lamb, op. 30: No. 1b, Let Nimrod the Mighty Hunter" by David Dunnett, Norwich Cathedral Choir, Ashley Grote, released 2020-10-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
XUXRegistrant
20Year (2020)
23302Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Rejoice in the Lamb, op. 30: No. 1b, Let Nimrod the Mighty Hunter" by David Dunnett?
The ISRC for "Rejoice in the Lamb, op. 30: No. 1b, Let Nimrod the Mighty Hunter" by David Dunnett, Norwich Cathedral Choir, Ashley Grote is GBXUX2023302.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBXUX2023302?

GBXUX2023302 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Rejoice in the Lamb, op. 30: No. 1b, Let Nimrod the Mighty Hunter" by David Dunnett, Norwich Cathedral Choir, Ashley Grote. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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