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Partita no. 2 in C minor, BWV 826: I. Sinfonia album cover

ISRC

GBSLT2009207

Partita no. 2 in C minor, BWV 826: I. Sinfonia2

Song: SINFONIA FROM THE CHRISTMAS ORATORIO

Asako Ogawa
matched
Released 2020-12-11

Last verified:

GBSLT2009207 is the International Standard Recording Code (ISRC) for the recording “Partita no. 2 in C minor, BWV 826: I. Sinfonia” by Asako Ogawa, released 2020-12-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANN SEBASTIAN BACH.

Format

GBCountry
SLTRegistrant
20Year (2020)
09207Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPartita no. 2 in C minor, BWV 826: I. Sinfonia
IPIJOHANN SEBASTIAN BACH

People also ask

What is the ISRC for "Partita no. 2 in C minor, BWV 826: I. Sinfonia" by Asako Ogawa?
The ISRC for "Partita no. 2 in C minor, BWV 826: I. Sinfonia" by Asako Ogawa is GBSLT2009207.
Who wrote "Partita no. 2 in C minor, BWV 826: I. Sinfonia"?
"Partita no. 2 in C minor, BWV 826: I. Sinfonia" was written by JOHANN SEBASTIAN BACH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBSLT2009207?

GBSLT2009207 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Partita no. 2 in C minor, BWV 826: I. Sinfonia” by Asako Ogawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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