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ISRC

GBPW41615447

TO GOD BE THE GLORY

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GBPW41615447 is the International Standard Recording Code (ISRC) for the recording “TO GOD BE THE GLORY”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRED BOCK, WILLIAM DOANE, FANNY CROSBY.

Format

GBCountry
PW4Registrant
16Year (2016)
15447Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRED BOCKComposer
FRED BOCK MUSIC CO.,INC. OriginalPublisher100.00%IPI: 00126532787
WILLIAM DOANEComposer
FRED BOCK MUSIC CO.,INC. OriginalPublisher100.00%IPI: 00126532787
FANNY CROSBYComposer
FRED BOCK MUSIC CO.,INC. OriginalPublisher100.00%IPI: 00126532787

Who publishes this song?

FRED BOCK MUSIC CO.,INC.OriginalPublisher
IPI: 00126532787

Credits Graph

MLC Song Code

T07349
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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Songwriter profiles

People also ask

What is the ISRC for "TO GOD BE THE GLORY"?
The ISRC for "TO GOD BE THE GLORY" is GBPW41615447.
Who wrote "TO GOD BE THE GLORY"?
"TO GOD BE THE GLORY" was written by FRED BOCK, WILLIAM DOANE, FANNY CROSBY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBPW41615447?

GBPW41615447 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TO GOD BE THE GLORY”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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