ISRC
GBPS82416883
SCARS TO YOUR BEAUTIFUL (IN THE STYLE OF ALESSIA CARA)
Song: SCARS TO YOUR BEAUTIFUL
Last verified:
GBPS82416883 is the International Standard Recording Code (ISRC) for the recording "SCARS TO YOUR BEAUTIFUL (IN THE STYLE OF ALESSIA CARA)" by SING-A-LONG HITS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9190298363. Written by ALESSIA CARACCIOLO, COLERIDGE TILLMAN, ANDREW DEXTER WANSEL, and others.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2024):
- Last two digits of the reference year (2024). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Related
Other versions of this workView all on iswc.fm
SCARS TO YOUR BEAUTIFUL / ALL TIME LOW (FEAT. J.NONE)
TCACX1736518
SCARS TO YOUR BEAUTIFUL NOTD REMIX
ALESSIA CARA
USUM71613918
SCARS TO YOUR BEAUTIFUL (ALESSIA CARA)
VARIOUS ARTISTS
USUM71506811
SCARS TO YOUR BEAUTIFUL (LOWER KEY) [ORIGINALLY PERFORMED BY ALESSIA CARA] [PIANO KARAOKE VERSION]
SING2PIANO
AURFF1600173
SCARS TO YOUR BEAUTIFUL - JOE MASON REMIX
ALESSIA CARA
USUM71613920
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People also ask
What is ISRC GBPS82416883?
GBPS82416883 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SCARS TO YOUR BEAUTIFUL (IN THE STYLE OF ALESSIA CARA)" by SING-A-LONG HITS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T9190298363, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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