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It’s Good to Be Back album cover

ISRC

GBMVH2200820

It’s Good to Be Back2

Song: IT'S GOOD TO BE BACK

MetronomyPanic Shack
unmatchedNot yet matched in the MLC database
Released 2022-11-28

Last verified:

GBMVH2200820 is the International Standard Recording Code (ISRC) for the recording “It’s Good to Be Back” by Metronomy, Panic Shack, released 2022-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOE MOUNT.

Format

GBCountry
MVHRegistrant
22Year (2022)
00820Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOE MOUNTComposerLyricist
ONE TWO MANY SONGS LIMITED OriginalPublisher

Who publishes this song?

ONE TWO MANY SONGS LIMITEDOriginalPublisher
SourcesMusicBrainzMLCNotesCommunity4 sources

Verified on

People also ask

What is the ISRC for "It’s Good to Be Back" by Metronomy?
The ISRC for "It’s Good to Be Back" by Metronomy, Panic Shack is GBMVH2200820.
Who wrote "It’s Good to Be Back"?
"It’s Good to Be Back" was written by JOE MOUNT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBMVH2200820?

GBMVH2200820 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “It’s Good to Be Back” by Metronomy, Panic Shack. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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