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Four Settings from Songs of the North: IV. Willie’s Gane to Melville Castle album cover

ISRC

GBLWD9609111

Four Settings from Songs of the North: IV. Willie’s Gane to Melville Castle

Song: Songs of the North: Willie’s Gane to Melville Castle

Stephen VarcoePenelope Thwaites
Released 1996-09-01

Last verified:

GBLWD9609111 is the International Standard Recording Code (ISRC) for the recording "Four Settings from Songs of the North: IV. Willie’s Gane to Melville Castle" by Stephen Varcoe, Penelope Thwaites, released 1996-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
96Year (1996)
09111Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Four Settings from Songs of the North: IV. Willie’s Gane to Melville Castle" by Stephen Varcoe?
The ISRC for "Four Settings from Songs of the North: IV. Willie’s Gane to Melville Castle" by Stephen Varcoe, Penelope Thwaites is GBLWD9609111.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD9609111?

GBLWD9609111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Four Settings from Songs of the North: IV. Willie’s Gane to Melville Castle" by Stephen Varcoe, Penelope Thwaites. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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