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Le Roi s’amuse: 2. Pavane “Belle qui tiens ma vie”. Allegretto album cover

ISRC

GBLWD2101306

Le Roi s’amuse: 2. Pavane “Belle qui tiens ma vie”. Allegretto

Song: Le Roi s'amuse: Airs de danse dans le style ancien: Pavane

Eesti Riiklik SümfooniaorkesterNeeme Järvi
Released 2021-02-26

Last verified:

GBLWD2101306 is the International Standard Recording Code (ISRC) for the recording “Le Roi s’amuse: 2. Pavane “Belle qui tiens ma vie”. Allegretto” by Eesti Riiklik Sümfooniaorkester, Neeme Järvi, released 2021-02-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
21Year (2021)
01306Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Le Roi s’amuse: 2. Pavane “Belle qui tiens ma vie”. Allegretto" by Eesti Riiklik Sümfooniaorkester?
The ISRC for "Le Roi s’amuse: 2. Pavane “Belle qui tiens ma vie”. Allegretto" by Eesti Riiklik Sümfooniaorkester, Neeme Järvi is GBLWD2101306.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD2101306?

GBLWD2101306 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Le Roi s’amuse: 2. Pavane “Belle qui tiens ma vie”. Allegretto” by Eesti Riiklik Sümfooniaorkester, Neeme Järvi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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