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ISRC

GBLWD1500512

All-night Vigil, op. 37 (1915): The Great Doxology

Song: Всенощное бдение, op. 37: 12. Славословие великое. Слава в вышних Богу

Paul DavidsonKansas City ChoralePhoenix ChoraleBryan TaylorCharles Bruffy
Released 2015-03-10

Last verified:

GBLWD1500512 is the International Standard Recording Code (ISRC) for the recording "All-night Vigil, op. 37 (1915): The Great Doxology" by Paul Davidson, Kansas City Chorale, Phoenix Chorale, Bryan Taylor, Charles Bruffy, released 2015-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LWDRegistrant
15Year (2015)
00512Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "All-night Vigil, op. 37 (1915): The Great Doxology" by Paul Davidson?
The ISRC for "All-night Vigil, op. 37 (1915): The Great Doxology" by Paul Davidson, Kansas City Chorale, Phoenix Chorale, Bryan Taylor, Charles Bruffy is GBLWD1500512.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLWD1500512?

GBLWD1500512 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "All-night Vigil, op. 37 (1915): The Great Doxology" by Paul Davidson, Kansas City Chorale, Phoenix Chorale, Bryan Taylor, Charles Bruffy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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