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Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod album cover

ISRC

GBLLH1748805

Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod

Song: Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod"

Gillian KeithChristopher MonksArmonico Consort
Released 2017-05-26

Last verified:

GBLLH1748805 is the International Standard Recording Code (ISRC) for the recording “Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod” by Gillian Keith, Christopher Monks, Armonico Consort, released 2017-05-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
LLHRegistrant
17Year (2017)
48805Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod" by Gillian Keith?
The ISRC for "Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod" by Gillian Keith, Christopher Monks, Armonico Consort is GBLLH1748805.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLLH1748805?

GBLLH1748805 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ich habe genug, BWV 82a: Aria. Ich freue mich auf meinen Tod” by Gillian Keith, Christopher Monks, Armonico Consort. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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