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The Ruins of Athens Overture, op. 113: Turkish March album cover

ISRC

GBLLH1439709

The Ruins of Athens Overture, op. 113: Turkish March2

Song: PUBLIC DOMAIN TRACK

Alessio Bax
matched
Released 2014-09-08

Last verified:

GBLLH1439709 is the International Standard Recording Code (ISRC) for the recording “The Ruins of Athens Overture, op. 113: Turkish March” by Alessio Bax, released 2014-09-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

GBCountry
LLHRegistrant
14Year (2014)
39709Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThe Ruins of Athens Overture, op. 113: Turkish March
IPIPUBLIC DOMAIN

People also ask

What is the ISRC for "The Ruins of Athens Overture, op. 113: Turkish March" by Alessio Bax?
The ISRC for "The Ruins of Athens Overture, op. 113: Turkish March" by Alessio Bax is GBLLH1439709.
Who wrote "The Ruins of Athens Overture, op. 113: Turkish March"?
"The Ruins of Athens Overture, op. 113: Turkish March" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBLLH1439709?

GBLLH1439709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Ruins of Athens Overture, op. 113: Turkish March” by Alessio Bax. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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