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Mein Nazar Se Pee Raha Hoon album cover

ISRC

GBKRT8048702

Mein Nazar Se Pee Raha Hoon2

Song: MAIN NAZAR SE PEE RAHA HOON

Ghulam Ali
unmatchedNot yet matched in the MLC database
Released 1980-01-01

Last verified:

GBKRT8048702 is the International Standard Recording Code (ISRC) for the recording “Mein Nazar Se Pee Raha Hoon” by Ghulam Ali, released 1980-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
KRTRegistrant
80Year (1980)
48702Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1980):
Last two digits of the reference year (1980). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Mein Nazar Se Pee Raha Hoon" by Ghulam Ali?
The ISRC for "Mein Nazar Se Pee Raha Hoon" by Ghulam Ali is GBKRT8048702.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBKRT8048702?

GBKRT8048702 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mein Nazar Se Pee Raha Hoon” by Ghulam Ali. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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