ISRC

GBJZY2135516

Romances on Verses by Mikhail Lermontov, op. 40: X. Don’t Cry, Don’t Cry, My Child

Song: Twelve Romances for voice and piano after texts by Lermontov, op. 40: No. 10. Не плчь, не плачь, мое дитя…

Elizaveta PakhomovaOlga Solovieva
Released 2021-10-01

Last verified:

GBJZY2135516 is the International Standard Recording Code (ISRC) for the recording “Romances on Verses by Mikhail Lermontov, op. 40: X. Don’t Cry, Don’t Cry, My Child by Elizaveta Pakhomova, Olga Solovieva, released 2021-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
JZYRegistrant
21Year (2021)
35516Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Romances on Verses by Mikhail Lermontov, op. 40: X. Don’t Cry, Don’t Cry, My Child" by Elizaveta Pakhomova?
The ISRC for "Romances on Verses by Mikhail Lermontov, op. 40: X. Don’t Cry, Don’t Cry, My Child" by Elizaveta Pakhomova, Olga Solovieva is GBJZY2135516.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBJZY2135516?

GBJZY2135516 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Romances on Verses by Mikhail Lermontov, op. 40: X. Don’t Cry, Don’t Cry, My Child by Elizaveta Pakhomova, Olga Solovieva. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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