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OLIVIA (LEE MORTIMER REMIX) album cover

ISRC

GBJVX1200301

OLIVIA (LEE MORTIMER REMIX)2

Song: OLIVIA

LEE MORTIMER
unmatchedNot yet matched in the MLC database
Released 2012-01-01

Last verified:

GBJVX1200301 is the International Standard Recording Code (ISRC) for the recording “OLIVIA (LEE MORTIMER REMIX)” by LEE MORTIMER, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSHUA SAMUEL HARVEY, THOMAS BENJAMIN BISDEE.

Format

GBCountry
JVXRegistrant
12Year (2012)
00301Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCOLIVIA (LEE MORTIMER REMIX)
IPIJOSHUA SAMUEL HARVEY

Related

Songwriter profiles

JOSHUA SAMUEL HARVEYIPITHOMAS BENJAMIN BISDEEIPI

People also ask

What is the ISRC for "OLIVIA (LEE MORTIMER REMIX)" by LEE MORTIMER?
The ISRC for "OLIVIA (LEE MORTIMER REMIX)" by LEE MORTIMER is GBJVX1200301.
Who wrote "OLIVIA (LEE MORTIMER REMIX)"?
"OLIVIA (LEE MORTIMER REMIX)" was written by JOSHUA SAMUEL HARVEY, THOMAS BENJAMIN BISDEE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBJVX1200301?

GBJVX1200301 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “OLIVIA (LEE MORTIMER REMIX)” by LEE MORTIMER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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