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ISRC

GBHAD2002250

NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED

Song: NO TIME FOR HULK

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GBHAD2002250 is the International Standard Recording Code (ISRC) for the recording “NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PATRICK MORANA, GUADY CUESTA, REID BERT, and others.

Format

GBCountry
HADRegistrant
20Year (2020)
02250Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

GUADY CUESTAIPI

People also ask

What is the ISRC for "NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED"?
The ISRC for "NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED" is GBHAD2002250.
Who wrote "NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED"?
"NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED" was written by PATRICK MORANA, GUADY CUESTA, REID BERT, RONALD DEAN MILLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBHAD2002250?

GBHAD2002250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NO TIME FOR HULK - CAMELPHAT RE-FIX - ERIK HAGLETON 2018 VOCAL EDIT - MIXED”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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