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Ballad of the Beacon album cover

ISRC

GBGDM0711108

Ballad of the Beacon2

Song: BALLAD OF THE BEACONS

Wishbone Ash
unmatchedNot yet matched in the MLC database
Released 2007-01-01

Last verified:

GBGDM0711108 is the International Standard Recording Code (ISRC) for the recording “Ballad of the Beacon” by Wishbone Ash, released 2007-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVID TURNER, MARTIN TURNER, ANDREW POWELL, and others.

Format

GBCountry
GDMRegistrant
07Year (2007)
11108Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAVID TURNERComposer
MARTIN TURNERComposer
ANDREW POWELLComposer
STEVEN UPTONComposer

Credits Graph

MLC Song Code

B16885
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Ballad of the Beacon" by Wishbone Ash?
The ISRC for "Ballad of the Beacon" by Wishbone Ash is GBGDM0711108.
Who wrote "Ballad of the Beacon"?
"Ballad of the Beacon" was written by DAVID TURNER, MARTIN TURNER, ANDREW POWELL, STEVEN UPTON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBGDM0711108?

GBGDM0711108 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Ballad of the Beacon” by Wishbone Ash. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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