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ISRC

GBFO77930224

Messiah, HWV 56: Part II. “The Lord gave the word”

Song: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”

Christopher HogwoodThe Academy of Ancient MusicChrist Church Cathedral ChoirOxford
Released 1984-01-01

Last verified:

GBFO77930224 is the International Standard Recording Code (ISRC) for the recording “Messiah, HWV 56: Part II. “The Lord gave the word”” by Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
FO7Registrant
79Year (1979)
30224Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1979):
Last two digits of the reference year (1979). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messiah, HWV 56: Part II. “The Lord gave the word”" by Christopher Hogwood?
The ISRC for "Messiah, HWV 56: Part II. “The Lord gave the word”" by Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford is GBFO77930224.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBFO77930224?

GBFO77930224 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Messiah, HWV 56: Part II. “The Lord gave the word”” by Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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