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ISRC

GBFO77930211

Messiah, HWV 56: Part I. “Rejoice greatly, O Daughter Of Zion”

Song: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)

Judith NelsonAcademy of Ancient MusicChristopher Hogwood
Released 1981-01-01

Last verified:

GBFO77930211 is the International Standard Recording Code (ISRC) for the recording "Messiah, HWV 56: Part I. “Rejoice greatly, O Daughter Of Zion”" by Judith Nelson, Academy of Ancient Music, Christopher Hogwood, released 1981-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
FO7Registrant
79Year (1979)
30211Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1979):
Last two digits of the reference year (1979). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Messiah, HWV 56: Part I. “Rejoice greatly, O Daughter Of Zion”" by Judith Nelson?
The ISRC for "Messiah, HWV 56: Part I. “Rejoice greatly, O Daughter Of Zion”" by Judith Nelson, Academy of Ancient Music, Christopher Hogwood is GBFO77930211.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBFO77930211?

GBFO77930211 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messiah, HWV 56: Part I. “Rejoice greatly, O Daughter Of Zion”" by Judith Nelson, Academy of Ancient Music, Christopher Hogwood. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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