Mitridate, re di Ponto / Act 1 - "Nel sen mi palpita" album cover

ISRC

GBF079840212

Mitridate, re di Ponto / Act 1 - "Nel sen mi palpita"

Song: Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI-VII. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) No. 4 Aria "Nel sen mi palpita" (Aspasia)

Les Talens LyriquesChristophe Rousset
Released 1999-02-18

Last verified:

GBF079840212 is the International Standard Recording Code (ISRC) for the recording "Mitridate, re di Ponto / Act 1 - "Nel sen mi palpita"" by Les Talens Lyriques, Christophe Rousset, released 1999-02-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
98Year (1998)
40212Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mitridate, re di Ponto / Act 1 - "Nel sen mi palpita"" by Les Talens Lyriques?
The ISRC for "Mitridate, re di Ponto / Act 1 - "Nel sen mi palpita"" by Les Talens Lyriques, Christophe Rousset is GBF079840212.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079840212?

GBF079840212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mitridate, re di Ponto / Act 1 - "Nel sen mi palpita"" by Les Talens Lyriques, Christophe Rousset. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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