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Le Songe d'une nuit d'été: "Malgré l'eclat qui m'environne" album cover

ISRC

GBF079340307

Le Songe d'une nuit d'été: "Malgré l'eclat qui m'environne"

Song: Le Songe d'une nuit d'été: Acte III "Malgre l'éclat qui m'environne"

Sumi JoEnglish Chamber OrchestraRichard Bonynge
Released 1994-11-15

Last verified:

GBF079340307 is the International Standard Recording Code (ISRC) for the recording "Le Songe d'une nuit d'été: "Malgré l'eclat qui m'environne"" by Sumi Jo, English Chamber Orchestra, Richard Bonynge, released 1994-11-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
93Year (1993)
40307Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Le Songe d'une nuit d'été: "Malgré l'eclat qui m'environne"" by Sumi Jo?
The ISRC for "Le Songe d'une nuit d'été: "Malgré l'eclat qui m'environne"" by Sumi Jo, English Chamber Orchestra, Richard Bonynge is GBF079340307.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079340307?

GBF079340307 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Songe d'une nuit d'été: "Malgré l'eclat qui m'environne"" by Sumi Jo, English Chamber Orchestra, Richard Bonynge. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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