Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) album cover

ISRC

GBF079144133

Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)2

Song: PUBLIC DOMAIN TRACK

Mirella FreniOrchestra del Maggio Musicale FiorentinoBruno Bartoletti
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Released 1996-01-01

Last verified:

GBF079144133 is the International Standard Recording Code (ISRC) for the recording “Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) by Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
91Year (1991)
44133Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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MLC Song Code

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People also ask

What is the ISRC for "Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)" by Mirella Freni?
The ISRC for "Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)" by Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti is GBF079144133.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF079144133?

GBF079144133 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) by Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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