ISRC
St. Matthew Passion, BWV 244: Geduld, Geduld! / Und der Hohepriester antwortete - Er ist des Todes schuldig! - Da speieten sie aus in sein Angesicht - Weissas Christe, Wer hat dish so geschlagen
Song: Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen"
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GBF078740529 is the International Standard Recording Code (ISRC) for the recording “St. Matthew Passion, BWV 244: Geduld, Geduld! / Und der Hohepriester antwortete - Er ist des Todes schuldig! - Da speieten sie aus in sein Angesicht - Weissas Christe, Wer hat dish so geschlagen” by Hans Peter Blochwitz, Olaf Bär, Chicago Symphony Chorus, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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GBF078740529 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “St. Matthew Passion, BWV 244: Geduld, Geduld! / Und der Hohepriester antwortete - Er ist des Todes schuldig! - Da speieten sie aus in sein Angesicht - Weissas Christe, Wer hat dish so geschlagen” by Hans Peter Blochwitz, Olaf Bär, Chicago Symphony Chorus, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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GBF078740529 is the International Standard Recording Code (ISRC) for the recording “St. Matthew Passion, BWV 244: Geduld, Geduld! / Und der Hohepriester antwortete - Er ist des Todes schuldig! - Da speieten sie aus in sein Angesicht - Weissas Christe, Wer hat dish so geschlagen” by Hans Peter Blochwitz, Olaf Bär, Chicago Symphony Chorus, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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