ISRC
GBF078710643
Requiem, op. 48: Sanctus
Song: Requiem, op. 48: III. Sanctus
Last verified:
GBF078710643 is the International Standard Recording Code (ISRC) for the recording "Requiem, op. 48: Sanctus" by Choeur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-003012217-8.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1987):
- Last two digits of the reference year (1987). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
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Related
Other versions of this workView all on iswc.fm
Requiem, op. 48: III. Sanctus
Choir of St John’s College, Cambridge, George Guest
GBF077510773
Requiem, op. 48: III. Sanctus
City of Birmingham Symphony Orchestra Chorus, BBC Philharmonic, Yan Pascal Tortelier
GBLWD0313506
Requiem, op. 48 : IV. Sanctus
Emile Naoumoff
DEE860100820
Requiem (1893 version, ed. John Rutter): III. Sanctus
The Cambridge Singers, City of London Sinfonia, John Rutter
GBAKR8452003
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
DEF058600844
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People also ask
What is ISRC GBF078710643?
GBF078710643 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Requiem, op. 48: Sanctus" by Choeur de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-003012217-8, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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