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Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris) album cover

ISRC

GBF078641729

Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)2

Song: Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)

Giulio BertolaPaata BurchuladzeCoro del Teatro alla Scala di MilanoGhena DimitrovaOrchestra del Teatro alla Scala di MilanoLorin Maazel
matched
Released 1989-10-02

Last verified:

GBF078641729 is the International Standard Recording Code (ISRC) for the recording “Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)” by Giulio Bertola, Paata Burchuladze, Coro del Teatro alla Scala di Milano, Ghena Dimitrova, Orchestra del Teatro alla Scala di Milano, Lorin Maazel, released 1989-10-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9000653769.

Format

GBCountry
F07Registrant
86Year (1986)
41729Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1986):
Last two digits of the reference year (1986). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)
ISWCAida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)

Musical Work (ISWC)

T9000653769Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)" by Giulio Bertola?
The ISRC for "Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)" by Giulio Bertola, Paata Burchuladze, Coro del Teatro alla Scala di Milano, Ghena Dimitrova, Orchestra del Teatro alla Scala di Milano, Lorin Maazel is GBF078641729.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. GBF078641729 is the ISRC for this recording; T9000653769 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

What is ISRC GBF078641729?

GBF078641729 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Aida: Atto IV, scena 1. “Ohimè!…morir mi sento! Oh! chi lo salva?” (Amneris)” by Giulio Bertola, Paata Burchuladze, Coro del Teatro alla Scala di Milano, Ghena Dimitrova, Orchestra del Teatro alla Scala di Milano, Lorin Maazel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T9000653769, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

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