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Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach) album cover

ISRC

GBF077441001

Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach)

Song: Death in Venice: Act I

Peter PearsEnglish Chamber OrchestraSteuart Bedford
Released 1990-02-07

Last verified:

GBF077441001 is the International Standard Recording Code (ISRC) for the recording "Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach)" by Peter Pears, English Chamber Orchestra, Steuart Bedford, released 1990-02-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
74Year (1974)
41001Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach)" by Peter Pears?
The ISRC for "Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach)" by Peter Pears, English Chamber Orchestra, Steuart Bedford is GBF077441001.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF077441001?

GBF077441001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach)" by Peter Pears, English Chamber Orchestra, Steuart Bedford. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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