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The Mikado: Act I. “Young man, despair” album cover

ISRC

GBF077340106

The Mikado: Act I. “Young man, despair”

Song: The Mikado: Act I, no. 4, “Young Man, Despair” (Pooh-Bah, Nanki-Poo and Pish-Tush)

Kenneth SandfordRoyal Philharmonic OrchestraRoyston NashD’Oyly Carte Opera Chorus
Released 1979-01-01

Last verified:

GBF077340106 is the International Standard Recording Code (ISRC) for the recording “The Mikado: Act I. “Young man, despair”” by Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus, released 1979-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
73Year (1973)
40106Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1973):
Last two digits of the reference year (1973). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Mikado: Act I. “Young man, despair”" by Kenneth Sandford?
The ISRC for "The Mikado: Act I. “Young man, despair”" by Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus is GBF077340106.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF077340106?

GBF077340106 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Mikado: Act I. “Young man, despair”” by Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash, D’Oyly Carte Opera Chorus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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