ISRC
GBF077240115
La bohème: Atto II. “Quando m'en vo” (Musetta)2
Song: La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline)
Last verified:
GBF077240115 is the International Standard Recording Code (ISRC) for the recording “La bohème: Atto II. “Quando m'en vo” (Musetta)” by Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-920080546-5.
Format
- Country:
- ISO 3166-1 alpha-2 country code (GB).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1972):
- Last two digits of the reference year (1972). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Musical Work (ISWC)
T-920080546-5La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline)People also ask
What is ISRC GBF077240115?
GBF077240115 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La bohème: Atto II. “Quando m'en vo” (Musetta)” by Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-920080546-5, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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