ISRC

GBF076841808

La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”

Song: La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)

Dietrich Fischer-DieskauOrchester der Deutschen Oper BerlinLorin Maazel
Released 1989-01-01

Last verified:

GBF076841808 is the International Standard Recording Code (ISRC) for the recording "La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”" by Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
68Year (1968)
41808Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”" by Dietrich Fischer-Dieskau?
The ISRC for "La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”" by Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel is GBF076841808.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076841808?

GBF076841808 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La traviata: Atto II, scena 1. “Di Provenza il mar, il suol”" by Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Lorin Maazel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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