Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé album cover

ISRC

GBF076541709

Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé

Song: Daphnis et Chloé: Tableau II. No. 9. Danse suppliante de Chloé

L’Orchestre de la Suisse RomandeErnest Ansermet
Released 2001-01-01

Last verified:

GBF076541709 is the International Standard Recording Code (ISRC) for the recording "Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé" by L’Orchestre de la Suisse Romande, Ernest Ansermet, released 2001-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
65Year (1965)
41709Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé" by L’Orchestre de la Suisse Romande?
The ISRC for "Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé" by L’Orchestre de la Suisse Romande, Ernest Ansermet is GBF076541709.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076541709?

GBF076541709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Daphnis et Chloé, 2e Partie: Scène - Danse suppliante de Chloé" by L’Orchestre de la Suisse Romande, Ernest Ansermet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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