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Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom album cover

ISRC

GBF076411609

Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom

Song: Háry János, Singspiel in 5 Scenes, op. 15: Hej két tikom

Olga SzönyiLondon Symphony OrchestraIstván Kertész
Released 2013-09-28

Last verified:

GBF076411609 is the International Standard Recording Code (ISRC) for the recording “Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom” by Olga Szönyi, London Symphony Orchestra, István Kertész, released 2013-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
F07Registrant
64Year (1964)
11609Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1964):
Last two digits of the reference year (1964). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom" by Olga Szönyi?
The ISRC for "Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom" by Olga Szönyi, London Symphony Orchestra, István Kertész is GBF076411609.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBF076411609?

GBF076411609 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Háry János Suite, Singspiel in 5 Scenes, op. 15: Hej két tikom” by Olga Szönyi, London Symphony Orchestra, István Kertész. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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