ISRC
Concerto pour violon et orchestre n° 7 en mi bémol majeur, K. 268: 3. Rondo (Allegro – Andante – Allegretto – Tempo I)
Song: Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: III. Rondo: Allegretto
Last verified:
GBF075410533 is the International Standard Recording Code (ISRC) for the recording “Concerto pour violon et orchestre n° 7 en mi bémol majeur, K. 268: 3. Rondo (Allegro – Andante – Allegretto – Tempo I)” by Christian Ferras, Stuttgarter Kammerorchester, Karl Münchinger, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
GBF075410533 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto pour violon et orchestre n° 7 en mi bémol majeur, K. 268: 3. Rondo (Allegro – Andante – Allegretto – Tempo I)” by Christian Ferras, Stuttgarter Kammerorchester, Karl Münchinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Christian Ferras, Berliner Philharmoniker, Herbert von Karajan
DEF056604183Christian Ferras, Berliner Philharmoniker, Herbert von Karajan
DEF056604181Christian Ferras, Berliner Philharmoniker, Herbert von Karajan
DEF056604182Christian Ferras, Berliner Philharmoniker, Herbert von Karajan
DEF056400432GBF075410533 is the International Standard Recording Code (ISRC) for the recording “Concerto pour violon et orchestre n° 7 en mi bémol majeur, K. 268: 3. Rondo (Allegro – Andante – Allegretto – Tempo I)” by Christian Ferras, Stuttgarter Kammerorchester, Karl Münchinger, released 2012-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
