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If Jesus Comes Tomorrow (What Then) album cover

ISRC

GBEXJ0900101

If Jesus Comes Tomorrow (What Then)2

Song: IF JESUS COMES TOMORROW WHAT THEN

Daniel O’Donnell
matched
Released 2009-01-01

Last verified:

GBEXJ0900101 is the International Standard Recording Code (ISRC) for the recording "If Jesus Comes Tomorrow (What Then)" by Daniel O’Donnell, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VERN GOSDIN.

Format

GBCountry
EXJRegistrant
09Year (2009)
00101Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

VERN GOSDINComposer

MLC Song Code

I65773
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "If Jesus Comes Tomorrow (What Then)" by Daniel O’Donnell?
The ISRC for "If Jesus Comes Tomorrow (What Then)" by Daniel O’Donnell is GBEXJ0900101.
Who wrote "If Jesus Comes Tomorrow (What Then)"?
"If Jesus Comes Tomorrow (What Then)" was written by VERN GOSDIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBEXJ0900101?

GBEXJ0900101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "If Jesus Comes Tomorrow (What Then)" by Daniel O’Donnell. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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