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Daphnis et Chloé, M. 57, Tableau I: I. Introduction album cover

ISRC

GBDYG1402928

Daphnis et Chloé, M. 57, Tableau I: I. Introduction

Song: Daphnis et Chloé: Tableau I. No. 1. Introduction et danse religieuse

Orchestre de l’Opéra National de ParisPhilippe Jordan
Released 2015-04-24

Last verified:

GBDYG1402928 is the International Standard Recording Code (ISRC) for the recording “Daphnis et Chloé, M. 57, Tableau I: I. Introduction” by Orchestre de l’Opéra National de Paris, Philippe Jordan, released 2015-04-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
DYGRegistrant
14Year (2014)
02928Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Daphnis et Chloé, M. 57, Tableau I: I. Introduction" by Orchestre de l’Opéra National de Paris?
The ISRC for "Daphnis et Chloé, M. 57, Tableau I: I. Introduction" by Orchestre de l’Opéra National de Paris, Philippe Jordan is GBDYG1402928.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBDYG1402928?

GBDYG1402928 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Daphnis et Chloé, M. 57, Tableau I: I. Introduction” by Orchestre de l’Opéra National de Paris, Philippe Jordan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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