You Are As Good As You Are album cover

ISRC

GBD9H1700034

You Are As Good As You Are2

Song: YOU ARE AS GOOD AS YOU ARE

Peter Gregson
matched
Released 2017-02-24

Last verified:

GBD9H1700034 is the International Standard Recording Code (ISRC) for the recording “You Are As Good As You Are by Peter Gregson, released 2017-02-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PETER ROSS GREGSON.

Format

GBCountry
D9HRegistrant
17Year (2017)
00034Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PETER ROSS GREGSONComposer
MUTE SONG USA OriginalPublisher100.00%IPI: 00864903900

Who publishes this song?

MUTE SONG USAOriginalPublisher
IPI: 00864903900
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "You Are As Good As You Are" by Peter Gregson?
The ISRC for "You Are As Good As You Are" by Peter Gregson is GBD9H1700034.
Who wrote "You Are As Good As You Are"?
"You Are As Good As You Are" was written by PETER ROSS GREGSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBD9H1700034?

GBD9H1700034 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You Are As Good As You Are by Peter Gregson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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