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Hellion Fiend album cover

ISRC

GBD3V1603402

Hellion Fiend2

Song: HELLION FIEND

Maximus
matched
Released 2016-11-04

Last verified:

GBD3V1603402 is the International Standard Recording Code (ISRC) for the recording “Hellion Fiend” by Maximus, released 2016-11-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by (NULL) MAXIMUS.

Format

GBCountry
D3VRegistrant
16Year (2016)
03402Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

(NULL) MAXIMUSComposer
FIRED EARTH MUSIC LIMITED OriginalPublisherIPI: 00615215284
WEST ONE MUSIC GROUP INC RightsAdministratorIPI: 00032771789

Who publishes this song?

FIRED EARTH MUSIC LIMITEDOriginalPublisher
IPI: 00615215284
WEST ONE MUSIC GROUP INCRightsAdministrator
IPI: 00032771789

Credits Graph

MLC Song Code

HVB77S
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hellion Fiend" by Maximus?
The ISRC for "Hellion Fiend" by Maximus is GBD3V1603402.
Who wrote "Hellion Fiend"?
"Hellion Fiend" was written by (NULL) MAXIMUS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBD3V1603402?

GBD3V1603402 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hellion Fiend” by Maximus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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