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Reels: The Five Mile Chase / The Cameronian Reel / The Black Haired Lass / Miss Girdle album cover

ISRC

GBCYD1500101

Reels: The Five Mile Chase / The Cameronian Reel / The Black Haired Lass / Miss Girdle

Battlefield BandLeo McCann
Released 2015-08-21

Last verified:

GBCYD1500101 is the International Standard Recording Code (ISRC) for the recording “Reels: The Five Mile Chase / The Cameronian Reel / The Black Haired Lass / Miss Girdle” by Battlefield Band, Leo McCann, released 2015-08-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
CYDRegistrant
15Year (2015)
00101Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Reels: The Five Mile Chase / The Cameronian Reel / The Black Haired Lass / Miss Girdle" by Battlefield Band?
The ISRC for "Reels: The Five Mile Chase / The Cameronian Reel / The Black Haired Lass / Miss Girdle" by Battlefield Band, Leo McCann is GBCYD1500101.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCYD1500101?

GBCYD1500101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Reels: The Five Mile Chase / The Cameronian Reel / The Black Haired Lass / Miss Girdle” by Battlefield Band, Leo McCann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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