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ISRC

GBCTP2178606

Phantasie in E minor for Violin and Piano, op. 34: Molto allegro scherzando – Allegro molto (quasi presto)

Song: Phantasie in E minor, op. 34

Lynn ArnoldJohn Mills
Released 2021-11-05

Last verified:

GBCTP2178606 is the International Standard Recording Code (ISRC) for the recording “Phantasie in E minor for Violin and Piano, op. 34: Molto allegro scherzando – Allegro molto (quasi presto)” by Lynn Arnold, John Mills, released 2021-11-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
CTPRegistrant
21Year (2021)
78606Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Phantasie in E minor for Violin and Piano, op. 34: Molto allegro scherzando – Allegro molto (quasi presto)" by Lynn Arnold?
The ISRC for "Phantasie in E minor for Violin and Piano, op. 34: Molto allegro scherzando – Allegro molto (quasi presto)" by Lynn Arnold, John Mills is GBCTP2178606.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCTP2178606?

GBCTP2178606 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Phantasie in E minor for Violin and Piano, op. 34: Molto allegro scherzando – Allegro molto (quasi presto)” by Lynn Arnold, John Mills. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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