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The Club of Fathomless Love album cover

ISRC

GBCEL0800208

The Club of Fathomless Love2

Song: CLUB OF FATHOMLESS LOVE

Wild Beasts
matched
Released 2008-06-16

Last verified:

GBCEL0800208 is the International Standard Recording Code (ISRC) for the recording “The Club of Fathomless Love” by Wild Beasts, released 2008-06-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THOMAS FLEMING, HAYDEN THORPE, BEN LITTLE, and others.

Format

GBCountry
CELRegistrant
08Year (2008)
00208Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

THOMAS FLEMINGComposer
HAYDEN THORPEComposer
BEN LITTLEComposer
CHRISTOPHER TALBOTComposer

Credits Graph

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "The Club of Fathomless Love" by Wild Beasts?
The ISRC for "The Club of Fathomless Love" by Wild Beasts is GBCEL0800208.
Who wrote "The Club of Fathomless Love"?
"The Club of Fathomless Love" was written by THOMAS FLEMING, HAYDEN THORPE, BEN LITTLE, CHRISTOPHER TALBOT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCEL0800208?

GBCEL0800208 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Club of Fathomless Love” by Wild Beasts. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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