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Only Bad Signs album cover

ISRC

GBCEJ0500347

Only Bad Signs2

Song: ONLY BAD SIGNS

Billy Bragg
matched
Released 2006-01-01

Last verified:

GBCEJ0500347 is the International Standard Recording Code (ISRC) for the recording “Only Bad Signs” by Billy Bragg, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BILLY BRAGG.

Format

GBCountry
CEJRegistrant
05Year (2005)
00347Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BILLY BRAGGComposer
WARNER CHAPPELL MUSIC LTD OriginalPublisherIPI: 00160187388
WC MUSIC CORP. RightsAdministratorIPI: 00392888203

Who publishes this song?

WARNER CHAPPELL MUSIC LTDOriginalPublisher
IPI: 00160187388
WC MUSIC CORP.RightsAdministrator
IPI: 00392888203

Credits Graph

MLC Song Code

O1143Z
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Only Bad Signs" by Billy Bragg?
The ISRC for "Only Bad Signs" by Billy Bragg is GBCEJ0500347.
Who wrote "Only Bad Signs"?
"Only Bad Signs" was written by BILLY BRAGG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBCEJ0500347?

GBCEJ0500347 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Only Bad Signs” by Billy Bragg. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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