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5 Stücke im Volkston, op. 102 no. 3: Nicht schnell, mit viel Ton zu spielen album cover

ISRC

GBBDZ1930804

5 Stücke im Volkston, op. 102 no. 3: Nicht schnell, mit viel Ton zu spielen

Song: 5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen

Marie VermeulinMarie Ythier
Released 2019-06-21

Last verified:

GBBDZ1930804 is the International Standard Recording Code (ISRC) for the recording “5 Stücke im Volkston, op. 102 no. 3: Nicht schnell, mit viel Ton zu spielen” by Marie Vermeulin, Marie Ythier, released 2019-06-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BDZRegistrant
19Year (2019)
30804Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "5 Stücke im Volkston, op. 102 no. 3: Nicht schnell, mit viel Ton zu spielen" by Marie Vermeulin?
The ISRC for "5 Stücke im Volkston, op. 102 no. 3: Nicht schnell, mit viel Ton zu spielen" by Marie Vermeulin, Marie Ythier is GBBDZ1930804.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBDZ1930804?

GBBDZ1930804 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “5 Stücke im Volkston, op. 102 no. 3: Nicht schnell, mit viel Ton zu spielen” by Marie Vermeulin, Marie Ythier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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