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ISRC

GBBBC2200740

Siegfried: Erster Aufzug. "Her mit den Stücken, fort mit den Stümper" (Siegfried, Mime)

Song: Siegfried, WWV 86C: Akt I, Scene III "Verfluchtes Licht!"

Wiener PhilharmonikerSir Georg Solti
Released 1963-01-01

Last verified:

GBBBC2200740 is the International Standard Recording Code (ISRC) for the recording "Siegfried: Erster Aufzug. "Her mit den Stücken, fort mit den Stümper" (Siegfried, Mime)" by Wiener Philharmoniker, Sir Georg Solti, released 1963-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBCRegistrant
22Year (2022)
00740Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Siegfried: Erster Aufzug. "Her mit den Stücken, fort mit den Stümper" (Siegfried, Mime)" by Wiener Philharmoniker?
The ISRC for "Siegfried: Erster Aufzug. "Her mit den Stücken, fort mit den Stümper" (Siegfried, Mime)" by Wiener Philharmoniker, Sir Georg Solti is GBBBC2200740.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBC2200740?

GBBBC2200740 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Siegfried: Erster Aufzug. "Her mit den Stücken, fort mit den Stümper" (Siegfried, Mime)" by Wiener Philharmoniker, Sir Georg Solti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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