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ISRC

GBBBA9050060

Ochi tchorniye / Caminito / La Vie en rose

The Three TenorsOrchestra del Maggio Musicale FiorentinoOrchestra del Teatro dell’Opera di RomaZubin Mehta
Released 2002-06-24

Last verified:

GBBBA9050060 is the International Standard Recording Code (ISRC) for the recording "Ochi tchorniye / Caminito / La Vie en rose" by The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta, released 2002-06-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
90Year (1990)
50060Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Ochi tchorniye / Caminito / La Vie en rose" by The Three Tenors?
The ISRC for "Ochi tchorniye / Caminito / La Vie en rose" by The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta is GBBBA9050060.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA9050060?

GBBBA9050060 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ochi tchorniye / Caminito / La Vie en rose" by The Three Tenors, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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