Notes.fmCredits.fm
ISRCISWCIPIISNIUPCMusiciansAPIMCP
SearchISRCCreditsWorksMore

Search

  • Credits.fm
  • isrc.fm
  • iswc.fm
  • ipi.fm
  • isni.fm
  • UPC Search
  • Musician Search
  • Credits Graph
  • Top IPIs
  • Top ISRCs
  • Top ISWCs
  • Top ISNIs
  • Top UPCs

Learn

  • What Are Music Credits?
  • What Is an ISRC?
  • What Is an ISWC?
  • What Is an IPI?
  • What Is an ISNI?
  • What Is a UPC?
  • ISRC vs ISWC
  • ISRC vs UPC
  • IPI vs ISNI
  • Glossary

Developers

  • REST API
  • Credits Graph
  • MCP Server
  • llms.txt

About

  • About Credits.fm
  • Notes.fm
  • Privacy Policy
  • Terms of Service
Notes.fm
Credits.fmCredits.fm
  1. Home
  2. ISRCs
  3. GBBBA5750350
Canticle II: Abraham and Isaac, op. 51 album cover

Canticle II: Abraham and Isaac, op. 51✓2

ISRC

GBBBA5750350

Song: CANTICLE II, OP. 51: ABRAHAM AND ISAAC

Norma ProcterPeter PearsBenjamin Britten
unmatchedNot yet matched in the MLC database
Released 2001-01-01

Last verified: October 7, 2026

The ISRC for “Canticle II: Abraham and Isaac, op. 51” by Norma Procter is GBBBA5750350. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 2001-01-01.

Format

GBCountry
BBARegistrant
57Year (1957)
50350Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1957):
Last two digits of the reference year (1957). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for “Canticle II: Abraham and Isaac, op. 51” by Norma Procter?+
The ISRC for “Canticle II: Abraham and Isaac, op. 51” by Norma Procter is GBBBA5750350.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

Collect royalties for this recording

Notes is distribution, publishing administration, and royalty collection in one account. Flat subscription. Notes does not take a percentage of royalties.

Collect royalties with Notes

What is ISRC GBBBA5750350?

GBBBA5750350 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Canticle II: Abraham and Isaac, op. 51” by Norma Procter, Peter Pears, Benjamin Britten. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

Credits Graph

Explore this code's connections on the live Credits Graph.

Want songwriter and ownership data?

This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

MLC Song Code

C02519
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record
Norma ProcterPeter PearsBenjamin Britten

The ISRC for “Canticle II: Abraham and Isaac, op. 51” by Norma Procter is GBBBA5750350. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 2001-01-01.

Norma Procter, Peter Pears, Benjamin Britten

Related

More by Norma Procter

Grand Duo in C major, D. 812: II. Andante

Benjamin Britten, Sviatoslav Richter

GBCAD0000928
Death in Venice: Act 2. "So it has come to this" (Aschenbach)

Peter Pears, English Chamber Orchestra, Steuart Bedford

GBF077441017
Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn

Peter Pears, John Shirley-Quirk, London Symphony Orchestra, Benjamin Britten

GBF076740323
The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball"

Bryan Drake, John Shirley-Quirk, Benjamin Luxon, Peter Pears, English Chamber Orchestra, Benjamin Britten

GBF077040605
Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend

Owen Brannigan, Peter Glossop, London Symphony Orchestra, Benjamin Britten

GBF076740337
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne

Julius Katchen, London Symphony Orchestra, Benjamin Britten

GBF075440007