La Bohème: "Musette svaria sulla bocca viva" album cover

ISRC

GBBBA0844870

La Bohème: "Musette svaria sulla bocca viva"

Song: La bohème: Atto I. “Ed ora, conoscetela: Musette svaria sulla bocca” (Mimi)

Renée FlemingOrchestra Sinfonica di Milano Giuseppe VerdiMarco Armiliato
Released 2009-09-15

Last verified:

GBBBA0844870 is the International Standard Recording Code (ISRC) for the recording "La Bohème: "Musette svaria sulla bocca viva"" by Renée Fleming, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato, released 2009-09-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
BBARegistrant
08Year (2008)
44870Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "La Bohème: "Musette svaria sulla bocca viva"" by Renée Fleming?
The ISRC for "La Bohème: "Musette svaria sulla bocca viva"" by Renée Fleming, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato is GBBBA0844870.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBBBA0844870?

GBBBA0844870 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La Bohème: "Musette svaria sulla bocca viva"" by Renée Fleming, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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